New! RGB channel tracking and RGB viewer controls.Includes 12 new blend modes, improved render quality, motion blur, and new Grid Warp interface to bend/distort source elements. Finish simple match moves in one AE effect without precomps! Now mesh tracking can be rendered with motion blur! New workflow brings tracked insert compositing to editing hosts like Premiere, VEGAS, and Media Composer.
This one greets us with glaring reflections and loads of motion blur We’ll also look at inserting your image inside of Mocha, but, like in the last class, we will explore the export of tracking data to the various host applications.The improved Insert Module features warped surface compositing driven by PowerMesh tracking for a new streamlined workflow. What use is the best roto if you can’t get it back into your host application? Trading accuracy with flexibility is always a gamble, so we’re gonna take an in-depth look at all the possibilities from rendering out of Mocha to exporting shape metadata for After Effects, Nuke, and Flame.Ī proper screen Insert is the classical Mocha tracking challenge. We’ll also discuss roto strategies and how to avoid common beginner’s mistakes. So we’ll learn why it is important to distinguish between track and matte shapes and how to properly link your shapes to tracks. Mocha is not only a planar tracker but also a great roto tool. Finally, we grapple with a lot of occlusions and understand the importance of the layer hierarchy inside of Mocha. We also take a closer look at the various settings that can make all the difference for your track.
Understanding how a shape influences the track and a track, in turn, influences a shape is vital to achieving good results in Mocha. With all that under our belt, we are ready to do our first planar track. Mocha comes in several versions, so after discussing the differences, we delve deep into the U.I.After that, we learn about the different shapes in Mocha, from X-Splines and Beziers to Magnetic Shapes and actually painting a shape.
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